Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

BG Reel continues its longstanding presentation of 48 Hour Film Projects with this screening of short films. If you made a film, or just need a break from your daily routine, don’t miss this crowd-pleasing event.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Running in repetition over the course of two weeks, these two pieces by celebrated Iranian playwright, Nassim Soleimanpour, ask actors to perform scripts that they do not see until they are in front of an audience. The plays engage audiences to think about authority, identity, and the power of story.White Rabbit Red Rabbit: September 18, 26, and 27 | 8:00 p.m. and September 20 & 21 | 2:00 p.m.BL_NK: September 19, 20, & 25 | 8:00 p.m. and September 27 | 2:00 p.m.

Moderated by Dr. Cortland Rankin, Associate Professor, BGSU Department of Theatre and FilmFilmmaker Nick Corbin screens his documentaries about his hometown of Toledo and discusses topics ranging from local independent filmmaking to his recent work for Netflix and Amazon.

These films are an essential part of Halloween at BGSU. Enjoy the gore, the laughs, and the filmmaking feats – and show off your awesome (or not) costume in the BG Reel Halloween costume contest!

In this play by Peter Macklin, a rape survivor who finds she is pregnant must decide if she wants to raise the child with help from her best friends, a gay couple who long for a child of their own. (Concord Theatricals)

In this play by Peter Macklin, a rape survivor who finds she is pregnant must decide if she wants to raise the child with help from her best friends, a gay couple who long for a child of their own. (Concord Theatricals)

Head Over Heels is the bold new musical comedy from James Magruder and Jeff Whitty—the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening.This laugh-out-loud love story is inspired by a 16th century pastoral poem by Sir Philip Sidney titled, Arcadia, and set to the music of the 1980’s all-female rock band the Go-Go’s, including their iconic songs, “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation,” as well as Belinda Carlisle’s solo hits, “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts. (Broadway Licensing)

Head Over Heels is the bold new musical comedy from James Magruder and Jeff Whitty—the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening.This laugh-out-loud love story is inspired by a 16th century pastoral poem by Sir Philip Sidney titled, Arcadia, and set to the music of the 1980’s all-female rock band the Go-Go’s, including their iconic songs, “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation,” as well as Belinda Carlisle’s solo hits, “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts. (Broadway Licensing)

Head Over Heels is the bold new musical comedy from James Magruder and Jeff Whitty—the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening.This laugh-out-loud love story is inspired by a 16th century pastoral poem by Sir Philip Sidney titled, Arcadia, and set to the music of the 1980’s all-female rock band the Go-Go’s, including their iconic songs, “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation,” as well as Belinda Carlisle’s solo hits, “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts. (Broadway Licensing)

Head Over Heels is the bold new musical comedy from James Magruder and Jeff Whitty—the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening.This laugh-out-loud love story is inspired by a 16th century pastoral poem by Sir Philip Sidney titled, Arcadia, and set to the music of the 1980’s all-female rock band the Go-Go’s, including their iconic songs, “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation,” as well as Belinda Carlisle’s solo hits, “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts. (Broadway Licensing)

Head Over Heels is the bold new musical comedy from James Magruder and Jeff Whitty—the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening.This laugh-out-loud love story is inspired by a 16th century pastoral poem by Sir Philip Sidney titled, Arcadia, and set to the music of the 1980’s all-female rock band the Go-Go’s, including their iconic songs, “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation,” as well as Belinda Carlisle’s solo hits, “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, Head Over Heels follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts. (Broadway Licensing)

Moderated by Dr. Cynthia Baron, Professor, Department of Theatre and FilmInformal staged readings of two screenplays. After each reading, the Q & A explores the author’s vision and the screenplay’s writing, structure, and characterizations.